The triumph of art over evolution

Michelangelo Buonarroti, the indisputable master of visual art, proved definitively, far beyond Darwin’s wayward speculations, that the book of Genesis is truly infallible, and that God created man in His own image. It is evident, from perhaps the greatest painting ever created, that the creation was witnessed by Michelangelo, revealed to him by God, of which Michelangelo then depicted and portrayed it.

Michelangelo’s God is the true God, who’s image transcends words and speech, for writing is a lesser means of revelation. Everything written in the Bible is true, and must be understood as such, but it is wrong to consider it the extent of all truth, or the breadth of all the knowledge of God. The greatest truth is that which may be witnessed by sight, or that which may be heard by sound, and is duly corroborated by the holy scriptures, which when all paired together present a truth far greater than all things of earthly bearing.

Indeed, he was a man who painted the creation of Adam, but if he was but a man, he would have had no window to the genesis of all the world. He stands foremost among all the others, for the rest all spoke in words and letters, but the words of paint and imagery speaks more than any words that even the most exalted of all prophets could utter. 

In the greatest composition of the written word yet undertaken, Dante Alighieri, on behalf of the Almighty, speaks of a journey which by God’s greatness he was enabled to partake, and of the souls he came across in their respective places, whom among the masses of the saved was the first man, who sits in heaven by the ultimate mercy of the Lord. For 4,300 years, Adam sat in limbo, for his sins were great and the Saviour had not yet come, but when the sacrifice was made, betwixt crucifixion and salvation did He descend, and save even those who were unworthy of Him. 

If there truly were no Adam, as Darwin would have the world believe, then the culmination of the genius of the earth would be in falsity, as Michelangelo would work in error, and there would be one absent in the skies which Raphael so aptly did depict, and Dante, who spoke only truth, would speak rather of a phantom who existed not. But instead of truth reliant on the titans God bestowed His grace upon to tell it, it should rather be believed that Darwin’s speculation of an evolution is the truth, in contrariety to that which all the senses would have one believe, and which God Himself has spoken. 

Lest it should be believed that Michelangelo is fallacy, and Raphael a misconception, and Dante Alighieri’s sight to that which comes hereafter a delusion, then is Charles Darwin apt to be a prophet who is not even Christian. In falsity did he conduct himself, and in falsity did he perceive his death apart from soundest of all doctrine acquired by the greatest minds of all the world by whom he should have witnessed this: his folly.